As all of you should know by now, I am remarkably pedantic. Therefore when I don’t know much about a topic, I go back to books and sometimes the Internet. Being mostly interested in Byzantine papyri, I had to refresh my knowledge of papyri from mummy cartonnage and related matters, since they have become such a hot topic after the publication of the new Sappho fragments (P. Sapph. Obbink and P.GC.105), and the YouTube adventures of the two Palmolive Indiana Jones retrieving New Testament papyri through mummy masks washing-up. So I thought to share what I have learnt so far.
In lesson one of any course in papyrology or related subject, you would be taught that there are two main sources from where you can legally or illegally retrieve papyri: excavating the remains of ancient cities, cemeteries, deposits or rubbish heaps, and dismounting mummies or book bindings, coverings and similar agglomerations of papyrus and other materials. Papyri can be found in mummy contexts, so to speak, in two main forms. They could have been used for fabricating mummy masks and panels, mixed together with other materials such as linen, and then covered with stucco and painting (the so-called papier mache), or they could have been used for wrapping or filling the mummies themselves. This second case is what B.P. Grenfell and A.S. Hunt found, for instance, in the sacred crocodile cemetery of Tebtunis, and later in other villages in the Fayum when papyrology was in its early days at the beginning of the 20th century. Possibly the first to have done experiments for retrieving papyri from mummy cartonnage was the French archaeologist Jean Antoine Letronne around 1825; he was disappointed by their bad status of preservation and the administrative contents. Sometimes the papyri retrieved from panels covering the feet or the breast of the mummies preserve the shape of the elements they come from. You can see an example of feet-shaped papyri in the Berkeley Tebtunis collection clicking here; you can have an idea of the appearance of mummies covered by such masks and panels from an image of a Ptolemaic one nowadays in the Louvre, clicking here (I know, it is a free-from-copyright image, but mummies scare me to death and I don’t like having a whole one in this post…).
From a rough calculation, I would say that the vast majority of our legal and illegal findings have derived from discoveries in situ; fewer papyri have come from mummy cartonnage or other similar kinds of papyrus recycling. (You will not get percentages from me: I refuse numbers as a form of resistance to a present where everybody knows the price and measure of everything, but the value and meaning of nothing).
Mummy fillings, wrappings and mummy cartonnage are renown for being an excellent source of papyri of the Ptolemaic period, which are fewer in absolute numbers than those of the following Roman and Byzantine periods, and therefore particularly important to scholars of the Hellenistic period. According to standard papyrology manuals, the practice of fabricating cartonnage for mummy masks and panels went on throughout the entire Ptolemaic period, and ended towards the end of the Augustan era, so at the beginning of the first century AD.
The retrieval of papyri from mummy panels and masks presents a number of problems and issues due not only to the technical aspects of the process, but also to the damages it procures to the objects. As you may imagine, there are different views about what comes first, either the mummy masks and panels, or the texts inside them. Therefore papyrologists and conservators have been working hard for finding methods for obtaining papyri from mummy cartonnage that take all these issues into consideration. Nowadays imaging technologies can help not only through the recording of the entire process, but also and foremost through the developing of non-destructive ways for retrieving and reading papyri. However at the moment, as J. Frösén reminds us in a dedicated chapter of the Oxford Handbook of Papyrology (“Conservation of ancient papyrus materials”, p. 88), “the recovery of papyrus from cartonnage is still the subject of controversy. Admittely it interferes with the integrity of the cartonnage as an artifact”.
Among the conservators who have worked in the field of papyri from mummy cartonnage there is Michael Fackelmann, a conservator active in Vienna in the seventies-eighties of last century. Fackelmann is an elusive figure, I have discovered, although he wrote important contributions on papyrus restoration that you find in the standard papyrology bibliography. Interestingly, he became also a collector and dealer of papyri, which were sometimes sold to university collections worldwide besides to private collectors. In those years there was much less awareness of the importance of papyrus archaeological provenance and acquisition circumstances than nowadays; I have been constantly reminded recently of the long history of the issues of ‘provenance’, and how much they are embedded in our disciplines and even in the birth of papyrology. I think historical awareness does not excuse present practices, and above all invites future change for better ones.
In any case, what I have realized is that some of the papyri connected with Fackelmann’s activities are particularly important in the history of dismounting mummy cartonnage, because they challenge the above-mentioned standard chronology of papyri from this kind of source. In other words, there have been cases of papyri that are said to come from mummy cartonnage and to date after the Augustan period, other than the recent Sappho fragments, dated to the 3rd century AD by their editors on the basis of C14 analysis and palaeographical considerations, and the New Testament texts that the Palmolive Indian Jones declare they found dissolving mummy masks. On these and other papyri challenging the traditional chronology we’ll talk in future posts.